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In this photographic pairing, I explore the contrast between control and interruption in portraiture by photographing the same subject within a single institutional setting. Both images were taken against an Alcatraz-style height chart background, a space strongly associated with surveillance, authority, and classification. I deliberately chose this background to frame the subject as someone being measured and defined by an external system, creating tension between personal i

https://static.wixstatic.com/mp3/5787f8_2cf58879de684bf9a45d38d9f788af92.mp3 Description In this sound mixing project, I worked with three distinct yet conceptually interconnected audio elements: the white noise produced by the flame of a sleep-aid candle, my spoken reading of Li Bai’s classical poem Qiang Jin Jiu (Bring in the Wine), and a self-performed excerpt from the traditional Chinese guqin piece Plum Blossom in Three Movements ( Meihua Sannong ). These elements were

This assignment required the creation of a 5-second stop-motion animated commercial in a vertical portrait format , intended for online or mobile platforms. The animation had to be produced using flat 2D techniques only , without sound. For my advert, I chose POP MART , as its blind box concept and playful character design translate well into short, visually driven animation. Concept and Creative Approach POP MART is strongly associated with surprise, collectability, and cut

1. Description During my visit to Tate Britain, I encountered a multimedia installation that combined visual imagery with an ambient soundscape. The artwork blended shifting projections with rhythmic audio patterns that echoed softly around the room. While observing the piece, I noticed how visitors were drawn into a shared sensory experience, slowing down, gathering, and quietly responding to the sound. The merging of visual and auditory elements reminded me of concepts I ha

Description During my visit to Tate Britain, I spent considerable time in the Turner galleries. One moment in particular stood out: as I viewed one of Turner’s atmospheric seascapes, I found myself instinctively stepping closer, trying to understand how the seemingly loose strokes created such an intense sense of movement. The painting appeared both chaotic and controlled—a duality that immediately captured my attention. Feelings Initially, I felt slightly overwhelmed, almost